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Beṭṭa Kurumba is a Dravidian language spoken in the Nilgiri and Waynad Hills of India. Annotated Texts in Beṭṭa Kurumba presents folktales and dialogues in this language, together with a grammatical sketch and a glossary. These interlinearised texts provide rich data for linguistic analysis, as well as some of the earliest published cultural information about a highly understudied ethnic group. The cultural information is presented, for the most part, by the Beṭṭa Kurumbas themselves, who speak in their own native language about aspects of their lifestyle, spiritual beliefs, and social organization into clans.

Kurumba language --- Legends --- Kurumba (Indic people) --- Dialogues, Karumba. --- Alemāri Kuruba (Indic people) --- Kadu Kurumba (Indic people) --- Korambar (Indic people) --- Kuramwari (Indic people) --- Kuruba (Indic people) --- Kurumar (Indic people) --- Kurumban (Indic people) --- Kurumbar (Indic people) --- Kurumbas --- Kurumwari (Indic people) --- Mullukurumba (Indic people) --- Ethnology --- Tibeto-Burman peoples --- Cholanaickan (Indic people) --- Folk tales --- Traditions --- Urban legends --- Folklore --- Deforo language --- Foulse language --- Fulse language --- Koromfe language --- Kouroumba language --- Kurumfe language --- Lilse language --- Gur languages

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Dielectrics of solids --- Dielectrics --- 537 --- Electrical engineering --- Electric insulators and insulation --- Electricity. Magnetism. Electromagnetism --- Materials --- Dielectrics. --- 537 Electricity. Magnetism. Electromagnetism --- Physique --- Dielectriques et isolants

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From the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.

Guitar. --- Guitar --- Guitare --- Performance --- Exécution --- muziekgeschiedenis --- instrumentenleer --- gitaren --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- History --- 78.44.2.3 --- Performance.

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Minorities --- Multicultural education --- Inclusive education --- Teaching --- Education, Special Topics --- Education --- Social Sciences --- Didactics --- Instruction --- Pedagogy --- School teaching --- Schoolteaching --- Instructional systems --- Pedagogical content knowledge --- Training --- Inclusion (Education) --- Inclusive learning --- Inclusive schools movement --- Least restrictive environment --- Mainstreaming in education --- Intercultural education --- Culturally relevant pedagogy --- Ethnic minorities --- Foreign population --- Minority groups --- Persons --- Assimilation (Sociology) --- Discrimination --- Ethnic relations --- Majorities --- Plebiscite --- Race relations --- Segregation --- Culturally sustaining pedagogy

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Gracq, Julien --- Criticism and interpretation --- Authors [French ] --- 20th century --- Interviews --- Gracq, Julien, --- Entretiens. --- Critique et interprétation. --- Criticism and interpretation. --- Interviews.